Orientalism and Musical Style

Identifieur interne : 000301 ( Main/Exploration ); précédent : 000300; suivant : 000302

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Orientalism and Musical Style

Auteurs : Derek B. Scott

Source :

• The Musical Quarterly [ 0027-4631 ] ; 1998.

RBID : ISTEX:1D304018F1A351C53CE0845EC720FD0A88747FD9

English descriptors

• Entity :
  • geog : San.
  • org : American Christians, China Girl, Harvard University, Oxford University, Princeton University, Spain Spain, Spain, Mexico, and South American, Turkey of Die Entfuhrung.
  • pers : Abu Hassan, Alan Clark, Alexander Korda, Alexander Wolff, Alfred Einstein, Alfred Newman, Ali Baba, Alia Ingharese, Amy Woodforde-Finden, Anton Bruckner, Archibald T. Davison, Bert Ambrose, C. C. Eldridge, Carl Maria, Caroline Norton, Carolyn Abbate, Christian Protestant, Claude LeVi-Strauss, Colin McDowell, D. A. Lorimer, David Bowie, Denis Stevens, Donald J. Grout, Doreen Weightman, Douglas Sladen, E. Harper, Edward Said, Edward W. Said, Edwin Arnold, Edwin Evans, El Arregfcto, Eric Blom, Ernest Gold, Francis Affergan, Francis Alrergan, Francis Wheeler, Frederic Clay, Frederic Norton, Georges Bi, Georges Bizet, Hans Neusiedler, Harry B. Smith, Helene Iswolsky, Hemans, Herbert Spencer, Hugh Macdonald, Igor, J. A. Westrup, J. C. Orientalism, J. E. Ritchie, Jack Westrup, James Parakilas, John Blockley, John P. Wilson, John Pridham, Jonathan Bellman, Judas Maccabeus, Kegan Paul, La GitaneUa, La Mer, Lalla Rookh, Laurence Hope, Leon Bakst, Leslie Stuart, Locke, London Films, Love Lyrics, Manuel Garcfa, Marian Gilbert, Maurice Jarre, Maurice Martenot, May Wong, Mikhail Bakhtin, Miriam Karpilow, Musical, Orientalist, Oscar Asche, Ralph P. Locke, Richard Cook, Richard Taruskin, Robert L. Mack, Robin Hood, Roy M. Prendergast, Roy Prendergast, Rudolph Valentino, S. Bunnett, Saigon, Sebastian Yradier, Sidney Jones, Sol Bloom, Stephen Adams, Susan McClary, Ted Snyder, Terry Castle, Thomas Augustine, Thomas Bauman, Thomas Tallis, Tristan Klingsor, Vanessa Mae, Victor Hugo, W. A. Mozftrt, W. G. Wills, Walter A. Phillips, Walter W. Hedgcock, Willi Apel, William Byrd, William Reeves, You Want.
  • place : America, American, Baghdad, Bukhara, Burma, Cambridge, Chicago, China, Delhi, Egypt, Ethnicity, Europe, France, Glinka, Hollywood, Hungary, India, Italy, Japan, London, Mandalay, Mass., Russia, Samarkand, Side, Spain, St. James, Sweden, Turkey, United Kingdom, Vienna, York.
• Teeft :
  • Alfred einstein, Amnesty international advertisement, Anglais, Bare fifth, Battle march, Bellman, Bright day, Cambridge opera journal, Cambridge university press, Capriccio espagnol, Casbah dancer, Chin chow, Chow, Cultural other, Dorian mode, Double reed, Eastern ethnic practice, Egyptian style, Eighteenth century, Ethnic difference, Exotic signifier, Fandango, Film music, Grace note, Gypsy, Harmonic language, Historical anthology, Hongrois, Indian queen, Jonathan bellman, Kashmiri song, Musical orientalism, Musical quarterly, Musical style, Night side, Nineteenth century, Northeastern university press, Orient, Oriental music, Orientalism, Orientalist, Orientalist convention, Orientalist music, Orientalist stereotype, Orientalist style, Oscar asche, Other hand, Other word, Oxford university press, Parallel fourth, Pastoral convention, Pentatonic melody, Phrygian, Phrygian inflection, Phrygian mode, Rehearsal number, Same time, Semitone higher, Short history, Sick heart, Signifier, Spanish music, Spanish song, Style hongrois, Style turc, Such thing, Sunday time, Susan mcclary, Theatre royal, Turkish style, Twentieth century, Up tetrachord, West side story, Western composer, Western music, Western practice, Whole tone.

Url:

• https://api.istex.fr/ark:/67375/HXZ-D09P289T-Q/fulltext.pdf

DOI: 10.1093/mq/82.2.309

Affiliations:

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Links toward previous steps (curation, corpus...)

• to stream Main, to step Corpus: 000A48
• to stream Main, to step Curation: 000956

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